At KLEMM KOJIĆ, artistic practice is understood as a space of in-betweenness — a terrain where disciplines, geographies, and political realities overlap, shift, and are continually rearticulated. The artists we collaborate with — Lana Čmajčanin, Emilija Škarnulytė, Gery Georgieva, Ivana Ivković, and Marina Marković — inhabit this interstitial zone, where identity is not asserted but performatively rehearsed.

Their works expose those fragile moments when structures of power begin to fissure — where memory encounters resistance, where the body becomes a site of inscription, where myth converges with technology. They remind us that meaning is never fixed, but constantly produced in the act of translation — between self and other, center and periphery, the individual and the collective.

From Škarnulytė’s cosmologies of deep time to Ivković’s gendered tableaux of embodiment, from Georgieva’s negotiations of cultural identity through the registers of folk and pop aesthetics to Marković’s visceral exposure of the body as a locus of social control, and Čmajčanin’s conceptual inquiries into memory and history — these voices articulate a poetics of displacement, where art emerges as an act of translation, vulnerability, and resistance.